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#31
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They make funny looking active single-coils for strat, that's close enough.
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#32
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Cool, let's do it - we'll get one each, tune them to B and play überdeath emo alt country synthpop.
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Crustaceo ergo sum |
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#33
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Edit: my favorite example on the listener's blame is a movie made during the military dictatorship here in Brazil that had a scene with a submarine cut off, allegedly because it looked like a penis. It didn't, really. It was a real good submarine replica. Now, whether the real thing looks like a wiener I'm not entitled to say. Quote:
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Last edited by asatbluesboy; 01.25.12 at 6:09 AM. Reason: Censorship and side note. |
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#34
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I'll admit that the Excelsior looks like it might be kind of cool.
In the demos I have heard it sounds a bit like my Silvertone 15" amp. I imagine my Silvertone sounds warmer, more broken in and dirtier. The Gretta seems like Fender's run at the little amp market, the Epiphone Valve Junior, Vox AC-4, ect... The speaker on it is a complete waste though... it might be cool as a low watt head through some real speakers, and they did something in the demo where they ran the line-out of the amp into another amp and had the Gretta provide the tube distortion, but my take away from that was it would be better to have a distortion pedal... I still don't get the appeal of the "Pawn-Shop" marking... isn't the whole appeal of pawn shop amps that you found them for dirt cheap and made them your own... I don't know to each his own... |
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#35
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Stuff I use: Standard Strat with Lace Hot Golds; Standard Ash Tele; Fulltone OCD, Line6 M9 My Music |
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#36
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But yes, in a perfect world it would be solely the speaker's fault.
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#37
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If we are waxing philosophical then it doesn't have to be a 'perfect' world. Any world will do. If the speaker had not spoken (regardless of intention) then the unwanted emotional response could not have occurred.
Personally I think that the speaker needs to self censor concept is complete poodle arse noise. Being able to represent the full range of human expression is essential to the operation of any form of art. This is especially true of music. More to the point if it is accepted that the responsibilty for the act falls upon the actor (speaker in the current context) then what ever it is that is expressed they hold full responsibilty for the effects. If you read (reread) the Keeping Guitar Geek a safe and friendly place thread then you will see I make exactly this point. What you express (even on an online forum) says things about you as well as encoding what ever message you intended to convey. So I guess at the heart of this is that if what you are going to say/do is going to piss someone else off you have to accept the responsibilty for pissing them off. Compare this to the most commonally held perception of online expression for a heavy dischord. Personally I want to hear the little Fender but have very slight expectations for it's utility.
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My Gear , please wack with the side of your hand for normal service. Bringing you EVIL VOODOO WAX MAGIC since 2009 |
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#38
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Poodle arse noise? Now I'm really offended! I won't get that vision out of my head for hours. Lol.... But then, some art is meant to be deliberately offensive. I'm not deliberately offensive perse. But what do you do when you have the gift. Luckily I have mellowed with age. I also have a soft spot for hyperbole.
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Stage Guitars: '80s Thin line LP Custom, '70 LP Standard, '83 Squier Black Headstock Strat w/ Dan Torres pickups, '59 Black Danelectro DC, sometimes others. Pedal Board: Nady UHF 10 -> TU2 -> Rocktron Big Crush -> 70s MXR Phase 100 -> Cry Baby -> Bad Monkey -> Early '80s Rat -> Early '80s Ibanez CS 9 -> Ibanez DE 7 -> Behringer Dr 100 Stereo Reverb Stage amps: '63 Blonde Tremolux w/ two original 2X10 cabinets with a '60 Ampeg Rocket/18 watt VTB Marshall clone/ Epi VJ into a Mashall 1965A |
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#39
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#40
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That's probably a better way to say what I meant. You can say whatever you want, as long as you accept responsibility for it and don't try to dodge it after the fact.
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Stuff I use: Standard Strat with Lace Hot Golds; Standard Ash Tele; Fulltone OCD, Line6 M9 My Music |
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#41
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#42
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ok know that this is settled back to topic:
has anyone ever heard of electric pick-ups for an accordion?? |
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#43
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heres my take V
internet arguments truth
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Hamer Sat2 or Jackson JRR-94 Rhoads>Laney gc80a or hc25(practice). Hamer(standard tuning) Ernie ball Slinkies Alvarez Dana Scoop (standard tuning) D'adarrio 10's LTD EC200qxm (standard tuning) EB Slinkies |
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#44
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Well, I never said anyone should self-censor. Even if you follow my position that far, the worst thing I'm advocating is that people be aware of what they say and how they say it. That's not even controversial; it's part of being in society and dealing with other people.
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Stuff I use: Standard Strat with Lace Hot Golds; Standard Ash Tele; Fulltone OCD, Line6 M9 My Music |
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#45
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Guitar rig: CIJ Fender Jazzmaster/CIJ Fender Mustang -> TU-3 -> RV-5 -> OD-3 -> custom IC Muff -> PS-2 -> DD-3 -> RE-20 -> LS-2 -> Fender '65 DRRI & Mesa/Boogie F-50 Bass rig: Fender MIM Jazz Bass -> TU-2 -> RAT 2 -> Sansamp BDDI -> RV-3 "...So now you know the true secret to great tone: all the espresso you can handle." |
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