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#61
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I love the way that Adam D. from Killswitch's records sound. The End of Heratache was really explosive sounding and very emotive.Seasons by Sevendust is an AMAZING sounding record with some of the most diverse beefy sones I have ever heard on a record.And finally and your all gonna hate me for this Korn's Untouchables. I know alot of you guys hate them but that record was the best sounding album a band with two detuned seven string players (NOT THE BEST SONGS FOR ALL YOU MESSHUGAH JOHNSON RIDERS OUT THERE).Buy only the basis of production those are the ones ill go with
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This has been another installment of the Ghettometalheads famous two cents. CAUTION:I MIGHT BE WRONG. (BUT I DOUBT IT.) Proud member of the Mesa family. |
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#62
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i have to say im surprised about people on some of this. a lot of votes for and justice for all. i just dont get it. that albums basicly a what not to do when making a album. the sound on it is horrid. talk about amaturish mid scooping.
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#63
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isn't it debatable if there's any bass on justice??? or was that ride the lightning or somethin?
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#64
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I'll have to join the legions of "nays" with regards to And Justice for All. That record has always sounded overproduced (but not in a good way) to me. Kicks with that much attack always sound more distracting than anything else.
I'll take the comparative muddiness of Master of Puppets over it anyday. The Black Album sounds nearly perfect, but if either of their previous records had the same sounds and mix, it would have sounded like a mess. Everything on that record sounds so huge, but if you were to play fast with that much reverb on the drums and all, it would sound terrible. What's most infuriating about that band is that in theory having them get a raw recording and start playing thrash again should have been the best thing ever to happen. I guess that's what happens when you're an uninspired band spending months to knowingly create a "raw" record with endless resources. As for Slayer, I dig them and all, but their recordings have always been way too muddy. Some of my favorite productions on heavy (metal or not) records have already been mentioned here. Deftones - White Pony, Tool - Aenima, At the Gates - Slaughter of the Soul, etc. A couple others that deserve mention: Refused - Shape of Punk to Come (Yeah, it's a hardcore record, but the tones, mix, production and most importantly songs on that record are flawless. The same people that did it also did Poison the Well - You Come Before You and it sounds great as well.) Isis - Oceanic I also listened to Necrophagist - Epitaph and as far as having a balance of clean and heavy, it sounds really good.
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#65
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there's also every Black Label Society album from 1919 Eternal onward. Sonic Brew is pretty raw sounding and Stronger Than Death always sounded way too muddy for me. and Alcohol Fueled Brewtallity Live + 5 isn't that great of a live album (the crowd is barely audible and certain things don't sit well in the mix on certain songs)
also, i think a nod should go towards almost any album Devin Townsend has produced. most of those albums sound amazing. the only album that he's produced that doesn't sound amazing is Lamb Of God's "As The Palaces Burn" and that's because he made it sound raw on purpose to make the rawness of the music shine through or something like that (then again, Lamb Of God hasn't been known to have strong production to begin with).
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my podcast: http://cultclassicmoviereview.blogspot.com ---------- guitars: Ibanez RG7321 Fender Standard Telecaster Ibanez ICX120 Ovation CC 057 Celebrity Electro-Acoustic Epiphone Gothic Firebird Bass ---------- pedal board: -Copilot FX Android Ring Modulator -Electro-Harmonix Octave Multiplexer -Electro-Harmonix Small Stone Nano -Line 6 DL4 Delay ---------- amp: Line 6 Spider Valve HD100 with Randall cab and Line 6 FBV Shortboard channel switcher next addition: not sure |
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#66
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also, i never thought the production on Metallica's black album was that great. it's sounds too slick and dated by today's standards. that's why i like Load's production so much. it's just perfect for the album, and it doesn't sound dated.
and why i'm thinking of it... Fear Factory's "Demanufacture" album has excellent production on it. i think it has the best production out of any of their albums.
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my podcast: http://cultclassicmoviereview.blogspot.com ---------- guitars: Ibanez RG7321 Fender Standard Telecaster Ibanez ICX120 Ovation CC 057 Celebrity Electro-Acoustic Epiphone Gothic Firebird Bass ---------- pedal board: -Copilot FX Android Ring Modulator -Electro-Harmonix Octave Multiplexer -Electro-Harmonix Small Stone Nano -Line 6 DL4 Delay ---------- amp: Line 6 Spider Valve HD100 with Randall cab and Line 6 FBV Shortboard channel switcher next addition: not sure |
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#67
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Hey GuitarZeroDude7, how do you like the JB pickup in your ESP? Did you put it in yourself? I didn't think ESP guitars came with JB's.
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Live Rig GUITARS -- 2 Burny RLC-70S's (Japanese Les Paul Custom copies) and a Japanese-made Fender Strat.Stage guitars FX - Dunlop 95Q Crybaby wah - Vox TonelabLE multi-FX processor/amp-modeler - Boss GE-7 EQ - Boss DD-5 Digital Delay - Boss NS-2 Noise Suppressor. AMPLIFICATION - Modded Ampeg VT-22 (V4) 100-watt head (6L6GC power tubes) - Soldano 4X12 straight cabinet loaded w/Eminence Legend speakers. |
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#68
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Music Zone were selling off the silver version for £4.99 a year or so ago, and I snapped it up. It'd be interesting to hear the newer version, but I'm too cheap to buy essentially the same album again...
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#69
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and I didn't know the new version was different until I heard it.
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-You are now breathing manually. Gear Quote:
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#70
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Lateralus by TOOL is near perfection in my opinion
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Guitars: ESP Kelly Hayes Sig 1988 gibson sg 90 double Gibson SG Standard x2 Washburn WI66 pro Schecter C-1 Plus Amps : Randall V-MAX Marshall Zakk Wylde JCM800 Cornford Harlequin |
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#71
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I'd have to agree with you there. But i think i personally like Ænima a tad bit better. |
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#72
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my podcast: http://cultclassicmoviereview.blogspot.com ---------- guitars: Ibanez RG7321 Fender Standard Telecaster Ibanez ICX120 Ovation CC 057 Celebrity Electro-Acoustic Epiphone Gothic Firebird Bass ---------- pedal board: -Copilot FX Android Ring Modulator -Electro-Harmonix Octave Multiplexer -Electro-Harmonix Small Stone Nano -Line 6 DL4 Delay ---------- amp: Line 6 Spider Valve HD100 with Randall cab and Line 6 FBV Shortboard channel switcher next addition: not sure |
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#73
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Live Rig GUITARS -- 2 Burny RLC-70S's (Japanese Les Paul Custom copies) and a Japanese-made Fender Strat.Stage guitars FX - Dunlop 95Q Crybaby wah - Vox TonelabLE multi-FX processor/amp-modeler - Boss GE-7 EQ - Boss DD-5 Digital Delay - Boss NS-2 Noise Suppressor. AMPLIFICATION - Modded Ampeg VT-22 (V4) 100-watt head (6L6GC power tubes) - Soldano 4X12 straight cabinet loaded w/Eminence Legend speakers. |
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#74
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#75
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__________________
my podcast: http://cultclassicmoviereview.blogspot.com ---------- guitars: Ibanez RG7321 Fender Standard Telecaster Ibanez ICX120 Ovation CC 057 Celebrity Electro-Acoustic Epiphone Gothic Firebird Bass ---------- pedal board: -Copilot FX Android Ring Modulator -Electro-Harmonix Octave Multiplexer -Electro-Harmonix Small Stone Nano -Line 6 DL4 Delay ---------- amp: Line 6 Spider Valve HD100 with Randall cab and Line 6 FBV Shortboard channel switcher next addition: not sure |
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