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  #121  
Old 04.01.04, 1:55 PM
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Quote:
Originally posted by matb
Suprised you didn't mention the DE-7 Fiveways.
I ment too....I forgot.

Now that you have I will say it is a great pedal.
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  #122  
Old 04.01.04, 6:40 PM
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Quote:
Originally posted by matb
Suprised you didn't mention the DE-7 Fiveways.
ok ive heard a lot about this pedal lately on here. one question: is the echo actually analog, or just trying to sound like analog (like the DL-4)?
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  #123  
Old 04.01.04, 6:51 PM
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Quote:
Originally posted by boy_makes_music
ok ive heard a lot about this pedal lately on here. one question: is the echo actually analog, or just trying to sound like analog (like the DL-4)?
It is digital, it actually sounds LIKE analog. Ibanez learned how to do it with the echomachine and prefected it with that pedal. Have a listen to it a www.ibanez.com

The endless feedabck is a nice oscillation sound.
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  #124  
Old 04.01.04, 7:58 PM
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Quote:
Originally posted by boy_makes_music
i REALLY like the sound of the echo on that pedal, but i really hate the look of it, and the fact that i've seen an ad for in it a guitar world with the guys from korn holding one, bad connotation, but i like the echo mode. i think ill get the arion analog delay just to get a cheap one until i get can afford a dm-2, hopefully it will sound really nice like the 70's echo sounds in the ibanez clips.

also, i didnt know they re-issued the fl-9, id like to hear what that sounds like, ive heard lots about it.
I will say this, Korn can use there effects better then anyone else in nu-metal(deftones are to argued about). I would like the hear munky ****ing around at home with all of his stuff. Apperently he is a big brian eno fan.....(according to someone else on this board).

I'd get the Ibanez and **** the connections. You have a DD-2 and Tom Morello uses one, you have a CE-2 and half the '80's buttrockers used them, hell, you have a DL-4 and Traci Gunn's of LA Guns uses them now(along with everyone and there grandmothers). Grab a Ibanez and loss the asthetic idea.
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  #125  
Old 04.01.04, 8:08 PM
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Quote:
Originally posted by boy_makes_music
i REALLY like the sound of the echo on that pedal, but i really hate the look of it, and the fact that i've seen an ad for in it a guitar world with the guys from korn holding one, bad connotation, but i like the echo mode. i think ill get the arion analog delay just to get a cheap one until i get can afford a dm-2, hopefully it will sound really nice like the 70's echo sounds in the ibanez clips.

also, i didnt know they re-issued the fl-9, id like to hear what that sounds like, ive heard lots about it.
Fiveways said better what I was going to. Mark from Dredg uses (or used, until they were stolen) 2 DE7s.. and he has great tone in his not-so-mainstream music.

About the FL9.. things would be cheaper just to buy the old one. The new one is like 130 bucks-ish (for now anyway).. and you can easily (well... you could anyway, Ive been out of the hunt for some time now. I only paid 45.. off ebay) find the 'true' 9 for under 100. It's a heckuvva pedal.. self oscillates if you tweak it a little. No extreme jet-plane sounds though, but it can go from subtle to quite corny 80's stuff... with great sounds in between.

Buy one, and if you dont like it, sell it again, there's a hefty demand for them. As long as being in Canada wont pose a problem.. which you would know much better than me. (all money I said was US.. sorry, didnt notice the location at first)
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  #126  
Old 04.01.04, 8:14 PM
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Quote:
Originally posted by fiveways
I'd get the Ibanez and **** the connections. You have a DD-2 and Tom Morello uses one, you have a CE-2 and half the '80's buttrockers used them, hell, you have a DL-4 and Traci Gunn's of LA Guns uses them now(along with everyone and there grandmothers). Grab a Ibanez and loss the asthetic idea.
Ahahahaha. Not to mention (just from doing a quick check on the site) that the guy from Godsmack uses his EQ and tremolo, and the guy from Disturbed has the Sonic Maximizer. If you care about that sort of thing, sharing gear with them would be far worse than using something Korn has (as they're derivitive crap without the weird noises that can redeem Korn for a few seconds here and there). The biggest thing I've learned from Shane in my time here is to drop any sort of misconceptions I've had about a pedal or brand sucking because a band I don't like uses it, and it's good advice. Get the DE-7 and don't look back.
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  #127  
Old 04.01.04, 9:10 PM
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Quote:
Originally posted by jacobhimself
question...

you said that the ps-5 is missing some options that make the ps-3 so good... what is it missing?

i ask because i want a pitch shifter and those two are on the top of my list...
A few synth sounds. I don;t know how much use you would have for them as they don't really "draw" people in.
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  #128  
Old 04.05.04, 12:19 AM
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Fiveways (or anyone else in the know), is there a substantial difference between the Yamaha FX-500 and the FX-500B? I might be able to score the 500B for a good price (<$100), and I was wondering if it was worth it. Thanks in advance.
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  #129  
Old 04.05.04, 7:41 AM
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Quote:
Originally posted by Alecto
Fiveways (or anyone else in the know), is there a substantial difference between the Yamaha FX-500 and the FX-500B? I might be able to score the 500B for a good price (<$100), and I was wondering if it was worth it. Thanks in advance.
Isn't the 500B the bass version of the FX-500?
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  #130  
Old 04.05.04, 10:07 AM
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Quote:
Originally posted by nobody
Isn't the 500B the bass version of the FX-500?
Is it? Good to know. Any significant differences between the two? I haven't found much on it. Does it have the same sounds?
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  #131  
Old 04.05.04, 3:45 PM
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Quote:
Originally posted by Alecto
Is it? Good to know. Any significant differences between the two? I haven't found much on it. Does it have the same sounds?
I don't know. I've never seen or played with a 500B. I think it is probably designed for lower frequencies, so I don't know how it will sound.
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  #132  
Old 04.05.04, 6:18 PM
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Quote:
Originally posted by BmoreTele
As to tweaking out the Digitech's for longer delay times - the sound will degrade to lower fidelity at the upper limit of the delay. It gets grainier and "gruntier" and eventually totally unrecognizable, but that can be very cool. The lower delay times sound the same as on un-tweaked units.

To clarify about the "stock" delay times on the PDS series

PDS1000 - 1 seconds of delay
PDS1002 - 2 seconds of delay
PDS2000 - 2 seconds of delay plus trigger/sampling
PDS8000 - 8 seconds of delay
PDS20/20 - 2 seconds of delay plus chorus and flange
PDS1550 - programmable distortion (2 presets)
PDS1650 - programmable distortion (20 patches)
PDS1700 - chorus and flange
PDS2700 - 1 second of delay plus chorus
PDS2715 - distortion and chorus
PDS2730 - 1 second of delay plus distortion
PDS3000 - 15 types of reverb plus infinite hold
PDS3500 - MIDI controller

The delay time on the rack units (RDS) is in the unit number. RDS1900 = 1900 ms, etc.

A sleeper is the RDS 3.6, some of these had a switch on the back that would double their delay to 7.2 seconds by cutting the sampling rate. Look for one on Ebay..
Thanks for this list, very handy to know this sort of thing if I ever come across one. I have my heart set on an RDS 7.6 now, I want to get back into the ambient noise creation I used to do when I had a GT-3 over a year ago. It's such a release from playing rock and roll.

Shane here's a question for you: how did you manage to get a minor chord sound of 3 different notes or so in your PDS drone clip, is it all done by the PDS or were there more trick involved? It sounds awesome and I'd love to be able to pull that sort of thing off.
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  #133  
Old 04.12.04, 3:08 PM
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I picked up the FX-500B and I'm working it into my rig. I get good distortions, delay, chorus, phaser, etc. from my Korg AX1000G so I'll be primarily using the FX-500B for its reverbs. Once you bypass the EQ it's almost identical to the FX-500. I love the Symphony and the Reverse and Voice Reverb patches, not so happy with the delay sounds (typical digidelay; my Korg sounds much better). Any other FX-500 users out there? Any problems I should keep an eye out for?
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  #134  
Old 04.12.04, 3:18 PM
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Quote:
Originally posted by Alecto
Any other FX-500 users out there? Any problems I should keep an eye out for?
Watch out for the power button getting weird. I have to push it in and turn it for my unit to stay on. I just leave it on and use a power strip to power down my rack.

Also, the jacks are very fragile, be very gentle with them or else you'll be soldering them back to the PCB.
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  #135  
Old 04.12.04, 3:27 PM
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Quote:
Originally posted by Alecto
Yeah, I noticed that straight off. What's been your experience with the FX-500 so far? What have you liked/disliked?
There's not a whole lot I don't like besides the problems I've mentioned. I don't use the distortions or EQs so those don't bother me. Everything else is really nice. I mainly just use the reverbs and symphonic and touches of delay. It definitely sounds good.
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